The Neumann KH 120 A studio monitor is designed for use as a near-field loudspeaker or as a rear loudspeaker in larger multi-channel systems. The KH 120 A represents the latest in acoustic and electronic simulation and measurement technologies to ensure the most accurate sound reproduction possible. It has a Mathematically Modeled Dispersion waveguide (MMD (TM), flexible acoustical controls, analog class-AB amplifiers, a large headroom analog input and an extensive mounting hardware range. All of this provides the user with the maximum versatility over a wide variety of acoustic conditions, source equipment, and physical locations. The KH 120 is perfect for tracking, mixing and mastering in music, broadcast, project and post-production studios.  

The famous Neumann U 87 Ai mt large diaphragm condenser microphone is now also available in combination with the elastic suspension EA 87 mt in one package under the name "Studio Set". This set version is sold at a more attractive price. Excellent for voices. *model in the picture is a nickel version  

The Neumann KM 183 mt is a pressure transducer with a boost of approximately 7 dB at 10 kHz in the free field. In the diffuse sound field it has a flat frequency response and therefor it is perfectly suited for a AB stereo pair and for capturing room acoustics.

The BCM 104 condenser microphone is the first product in the new Broadcast Line, which is especially tailored to the demands of professional radio announcing. What sets the Broadcast Line apart is a completely independent, functionally optimized design derived from extensive 3D simulations.

Pure Neumann sound in the digital domain, for use with AES/EBU or AES 42. The signal is converted directly at the capsule. Difficult questions concerning the optimal preamp and A/D converter for a Neumann mic are thus a thing of the past. Its 15 different remotely controlled directional characteristics and numerous additional features permit the D-01 to be optimally adapted to almost any recording situation. These comprehensive features demonstrate what can be achieved with digital microphone technology. The D-01 has a newly developed capsule, and is valued by users particularly for its hitherto unknown transparency and fidelity to detail. Further information on the digital microphone technology and the whole Solution-D system can be downloaded as PDF.    

The Neumann KM 184 mt is the successor of the well proven KM 84, which have been used since the seventies worldwide with great success. The KM 184 microphone differs slightly on the 0° frequency response: The KM 184 has a gentle rise at about 9 kHz, a characteristic that was introduced very successfully with the KM 140. The result is a tonal balance that is fresher and livelier when compared to the KM 84 with its flat frequency response in that band.   For universal use, especially for recording situations when it is necessary to attenuate off-axis sound (mainly from the rear) from other nearby sound sources.

The Neumann KMS 104/104 plus and the KMS 105 microphones have been developed to optimally transmit the human voice with respect to the demanding conditions present on the live stage. The KMS series has become the internationally acknowledged standard for first-class stage microphones. The high acoustic resolution and smooth frequency response of the microphones ensure that the musician has optimal control of the stage performance at all times. Especially due to their low self-noise and crosstalk behavior which is free of coloration, the KMS microphones are ideal for use with in-ear monitoring systems. The KMS 104 and the KMS 104 plus have a condenser microphone capsule with a cardioid directional characteristic which provides the best possible suppression of sounds originating from behind the microphone. In contrast, with its supercardioid characteristic the KMS 105 is particularly good at suppressing sounds originating from the entire 180° hemisphere behind the microphone. The KMS 104 plus features, compared to KMS 104, a more extended bass frequency response. In close cooperation with professional musicians, with the aid of extensive practical tests, the KMS 104 plus has been especially optimized for the requirements of female voices in the rock and pop field.  

The BCM 705 is a dynamic studio microphone with a supercardioid directional characteristic. It is especially designed for speech reproduction at close range and thus features an integrated pop screen.

Pure Neumann sound in the digital domain, for use with AES/EBU, AES 42 or S/PDIF. The signal is converted directly at the capsule. Difficult questions concerning the optimal preamp and A/D converter for a Neumann mic are thus a thing of the past. For many years the analog version of the TLM 103 D has played an important role for ambitious home recording and project studios. This microphone has made the Neumann sound available to a broad spectrum of demanding audio engineers and musicians. The TLM 103 D provides all of the sound features of its analog counterpart, in addition to the advantages of digital circuit technology described above.  

Stereo set consisting of two Neumann KM184 mt condenser microphones (Pressure gradient transducer with cardioid pattern), two WNS100 windscreens and two SG 21/17 stand mounts. Microphone color: Black (mt)  

The Neumann KMS 104 is the same as the KMS 104 mt but only in a nickel colour.

The microphones KMS 104 D and KMS 105 D are the transition of the well-established KMS 104/105 analog microphones into the digital domain. Based on the AES42 standard, these microphones are an ideal choice for live and on-stage applications. They provide all of the features of their analog counterparts. Additionally, they offer the advantages of the digital circuit technology, such as extended dynamic range, a more robust operation (EMC safe) and the avoidance of clipping as a result of the integrated peak limiter/ compressor. Use of one of the digital microphone interfaces together with the Remote Control Software (RCS) permits pre-programmed settings to be stored in the microphones.    

The Neumann KM 185 mt is a hypercardioid condenser microphone and part of the Neumann "180 series" where also a cardioid and omnidirectional  version is available. Very smooth frequency responses not only for the 0° axis, but also for lateral (off-axis) sound incidence. In typical usage, there is no coloration of sound over a wide pickup angle. The Neumann KM 185 with its hypercardioid characteristic features attenuation of sound incidence from the side or rear of about 10 dB, with minimum sensitivity at an angle of 120°. Transformerless circuitry.  

The KMS 104/104 plus and the KMS 105 microphones have been developed to optimally transmit the human voice with respect to the demanding conditions present on the live stage. The KMS series has become the internationally acknowledged standard for first-class stage microphones. The high acoustic resolution and smooth frequency response of the microphones ensure that the musician has optimal control of the stage performance at all times. Especially due to their low self-noise and crosstalk behavior which is free of coloration, the KMS microphones are ideal for use with in-ear monitoring systems. The KMS 104 and the KMS 104 plus have a condenser microphone capsule with a cardioid directional characteristic which provides the best possible suppression of sounds originating from behind the microphone. In contrast, with its supercardioid characteristic the KMS 105 is particularly good at suppressing sounds originating from the entire 180° hemisphere behind the microphone. The KMS 104 plus features, compared to KMS 104, a more extended bass frequency response. In close cooperation with professional musicians, with the aid of extensive practical tests, the KMS 104 plus has been especially optimized for the requirements of female voices in the rock and pop field.  

The microphones Neumann KMS 104 D and KMS 105 D are the transition of the well-established Neumann KMS 104/105 analog microphones into the digital domain. Based on the AES42 standard, these microphones are an ideal choice for live and on-stage applications. They provide all of the features of their analog counterparts. Additionally, they offer the advantages of the digital circuit technology, such as extended dynamic range, a more robust operation (EMC safe) and the avoidance of clipping as a result of the integrated peak limiter/ compressor.   Use of one of the digital microphone interfaces together with the Remote Control Software (RCS) permits pre-programmed settings to be stored in the microphones.  

Stereo set consisting of two Neumann KM185 mt condenser microphones (Pressure gradient transducer with hypercardioid pattern), two WNS100 windscreens and two SG 21/17 stand mounts.  

The Neumann KM 183 D condensor microphone consists of a KK 183 capsule (omni), the digital KM D output stage, the WNS 100 windscreen and the SG 21 stand mount.   The modular KM A / KM D miniature microphone system is a further development of the successful KM 100 series. The newly developed passive capsule design is available with 8 different directional characteristics, and can be combined modularly as desired with an analog (KM A) or digital (KM D) output stage in accordance with the AES 42 standard. The new, considerably smaller microphone capsules and an extensive program of accessories permit excellent adaptation of the microphone system to a wide range of applications.  

The KMS 104/104 plus and the KMS 105 microphones have been developed to optimally transmit the human voice with respect to the demanding conditions present on the live stage. The KMS series has become the internationally acknowledged standard for first-class stage microphones. The high acoustic resolution and smooth frequency response of the microphones ensure that the musician has optimal control of the stage performance at all times. Especially due to their low self-noise and crosstalk behavior which is free of coloration, the KMS microphones are ideal for use with in-ear monitoring systems. The KMS 104 and the KMS 104 plus have a condenser microphone capsule with a cardioid directional characteristic which provides the best possible suppression of sounds originating from behind the microphone. In contrast, with its supercardioid characteristic the KMS 105 is particularly good at suppressing sounds originating from the entire 180° hemisphere behind the microphone. The KMS 104 plus features, compared to KMS 104, a more extended bass frequency response. In close cooperation with professional musicians, with the aid of extensive practical tests, the KMS 104 plus has been especially optimized for the requirements of female voices in the rock and pop field.  

The Neumann KM 120 is part of the flexible miniature KM 100 microphone system for professional users. A comprehensive selection of accessories permits adaptation to a wide range of requirements. Seven different capsules are available.   The Neumann KM 120 has a figure-8 directivity (bi-directional)

The Neumann KMS 105 is the same as the Neumann KMS 105 bk but only deliverd in a nickel colour  

Set consisting of 2x (Neumann KM 183 D nx digital microphone + stand mount SG 21 mt + windscreen WNS 100) + Wooden box    

The Neumann KM 130 is part of the flexible miniature KM 100 microphone system for professional users. A comprehensive selection of accessories permits adaptation to a wide range of requirements. Seven different capsules are available.   The Neumann KM 130 has an omni-directional directivity with high frequency boost at approx. 10 kHz to compensate for the use in the diffuse soundfield. Please also compare the Neumann KM 131 omni without high frequency boost for use in the direct sound field. Excellent low-frequency response  

Set consisting of 2x (Neumann KM 184 D nx digital microphone + stand mount SG 21 mt + windscreen WNS 100 + Woodenbox)    

The Neumann KM 131 is part of the flexible miniature KM 100 microphone system for professional users. A comprehensive selection of accessories permits adaptation to a wide range of requirements. Seven different capsules are available.   The Neumann KM 131 has an omni-directional directivity with flat frequency response for the use in the direct soundfield. Please also compare the Neumann KM 130 omni with high frequency boost for use in the diffuse sound field.   Excellent low-frequency response  

The Neumann KM 184 D condensor microphone consists of a KK 184 capsule (cardioid), the digital KM D output stage, the WNS 100 windscreen and the SG 21 stand mount.The modular KM A / KM D miniature microphone system is a further development of the successful KM 100 series. The newly developed passive capsule design is available with 8 different directional characteristics, and can be combined modularly as desired with an analog (KM A) or digital (KM D) output stage in accordance with the AES 42 standard. The new, considerably smaller microphone capsules and an extensive program of accessories permit excellent adaptation of the microphone system to a wide range of applications.  

The Neumann KM 140 is part of the flexible miniature KM 100 microphone system for professional users. A comprehensive selection of accessories permits adaptation to a wide range of requirements. Seven different capsules are available. The KM 140 has a cardioid directivity.

The Neumann KM 185 D condensor microphone consists of a KK 185 capsule (hypercardioid), the digital KM D output stage, the WNS 100 windscreen and the SG 21 stand mount.The modular KM A / KM D miniature microphone system is a further development of the successful KM 100 series. The newly developed passive capsule design is available with 8 different directional characteristics, and can be combined modularly as desired with an analog (KM A) or digital (KM D) output stage in accordance with the AES 42 standard. The new, considerably smaller microphone capsules and an extensive program of accessories permit excellent adaptation of the microphone system to a wide range of applications.  

The Neumann M 147 Tube is a vacuum tube condenser microphone with cardioid characteristic. At the heart of this microphone is the K 47 dual diaphragm capsule, inherited from this model's now legendary predecessors, the U 47 and the M 49.

The Neumann TLM 49 is a large diafragm studio condenser microphone with Retro look. Warm sound, optimized for vocal recordings. Uses the capsule of the legendary M 49 and U 47. Cardioid polar pattern.  

The Neumann SKM 140 is simply a stereo combination set consisting of two KM 140 microphones (KM 100 output stage + AK 40 cardioid microphone element), two LC3 KA microphone cables and a STH 100 stereo mount. All supplied in a wooden jewelers case.

Set consisting of 2x (Neumann KM 185 D nx digital microphone + stand mount SG 21 mt + windscreen WNS 100) + Woodenbox    

The Neumann KM 143 is part of the flexible miniature KM 100 microphone system for professional users. A comprehensive selection of accessories permits adaptation to a wide range of requirements. Seven different capsules are available.   The KM 143 has a wide angle cardioid directivity.  

The U 87 is probably the best known and most widely used Neumann studio microphone. It is equipped with a large dual-diaphragm capsule with three directional patterns: omnidirectional, cardioid and figure-8. These are selectable with a switch below the headgrille. A 10 dB attenuation switch is located on the rear. It enables the microphone to handle sound pressure levels up to 127 dB without distortion. Furthermore, the low frequency response can be reduced to compensate for proximity effect

The Neumann KM 133 D condensor microphone consists of a KK 133 capsule (hypercardioid), the digital KM D output stage, the WNS 100 windscreen, the SG 21 stand mount and the SBK 130 A sphere (acoustical adapter).   The modular KM A / KM D miniature microphone system is a further development of the successful KM 100 series. The newly developed passive capsule design is available with 8 different directional characteristics, and can be combined modularly as desired with an analog (KM A) or digital (KM D) output stage in accordance with the AES 42 standard. The new, considerably smaller microphone capsules and an extensive program of accessories permit excellent adaptation of the microphone system to a wide range of applications.   Its special acoustic properties make this an ideal mic for most classical recordings. Main mic, especially for capturing room acoustics. Superb for an AB stereo pair for perfect balance of direct and reverberant sound.  

The Neumann KM 145 is part of the flexible miniature KM 100 microphone system for professional users. A comprehensive selection of accessories permits adaptation to a wide range of requirements. Seven different capsules are available.   The Neumann KM 145 has a cardioid directivity but also has a low frequency compensation for the proximity effect. Very neutral tonal balance during close miking of speech, as in TV, movie and video productions, PA systems...

Equipment that supports the AES 42 standard can process the output signals of Solution-D microphones directly. In all other cases, the DMI-2 or DMI-8 digital microphone interface is used. The DMIs convert the AES 42 data format supplied by the microphone into an AES/EBU signal. The Interface is operated via the Neumann RCS remote control software, which is installed on a desktop or laptop computer. The computer is connected to the DMI via a USB port and a USB to RS 485 interface converter. If a large number of microphones is used, several DMIs can be cascaded. In this case, each digital microphone interface can be addressed individually. In addition to a word clock input and output, the DMIs also have an internal word clock generator. If no master word clock signal (e.g. from a mixing console) is present at the input, the DMI internal word clock is used automatically to synchronize the microphone channels, and the signal is switched to the word clock output. External commands such as "On Air" (red light) can be controlled via a 9-pin user port.  

The Neumann KM 150 is part of the flexible miniature KM 100 microphone system for professional users. A comprehensive selection of accessories permits adaptation to a wide range of requirements. Seven different capsules are available.   The Neumann KM 150 has a hypercardioid directivity. Excellent for recording of speech, as in TV, movie and video productions, PA systems... Produces especially warm and bass supporting sound for artists who perform in proximity effect range We recommend using an additional windscreen to minimize the effects of high wind velocity, and plosive sounds  

Equipment that supports the AES 42 standard can process the output signals of Solution-D microphones directly. In all other cases, the DMI-2 or DMI-8 digital microphone interface is used. The DMIs convert the AES 42 data format supplied by the microphone into an AES/EBU signal.   The Interface is operated via the Neumann RCS remote control software, which is installed on a desktop or laptop computer. The computer is connected to the DMI via a USB port and a USB to RS 485 interface converter. If a large number of microphones is used, several DMIs can be cascaded. In this case, each digital microphone interface can be addressed individually.   In addition to a word clock input and output, the DMIs also have an internal word clock generator. If no master word clock signal (e.g. from a mixing console) is present at the input, the DMI internal word clock is used automatically to synchronize the microphone channels, and the signal is switched to the word clock output.   External commands such as "On Air" (red light) can be controlled via a 9-pin user port.    The DMI-8, an eight-channel version of the digital microphone interface is considerably simplifying the setup for multichannel applications. In addition to the proven functions of the two-channel DMI-2: AES 42 to EBU conversion Powering, remote control and synchronization of the microphones without a sample rate converter (AES42, mode2) Automatic word clock or AES 11 synchronization All sample rates, from 44.1 kHz to 192 kHz Complete control and storage of the settings via Mac or PC The DMI-8 also offers the following features: The capability of cascading up to 128 channels Level meter and gain setting on the front panel, operable even without a computer D-sub 25 outputs with Tascam® and Yamaha® pin assignments Optical ADAT® interface Open architecture for later connection to other multi-channel interfaces and audio networks, such as EtherSound® and MADI The DMI-8 offers several possibilities for easy integration into audio networks. The optional ES100 (DMI-8) module permits integration into EtherSound networks.  

The Neumann SKM 150 is simply a stereo combination set consisting of two KM 150 microphones (KM 100 output stage + AK 50 hypercardioid microphone element), two LC3 KA microphone cables and a STH 100 stereo mount. All supplied in a wooden jewelers case.   The LC 3 KA connects active capsules AK 50 with the KM 100 output stage

The Neumann KM 183 A condensor microphone consists of a KK 183 capsule (omnidirectional), the KM A amplifier, the WNS 100 windscreen and the SG 21 stand mount. The modular KM A / KM D miniature microphone system is a further development of the successful KM 100 series. The newly developed passive capsule design is available with 8 different directional characteristics, and can be combined modularly as desired with an analog (KM A) or digital (KM D) output stage in accordance with the AES 42 standard. The new, considerably smaller microphone capsules and an extensive program of accessories permit excellent adaptation of the microphone system to a wide range of applications.

The Neumann KM 184 A condensor microphone consists of a KK 184 capsule (cardioid), the KM A amplifier, the WNS 100 windscreen and the SG 21 stand mount. The modular KM A / KM D miniature microphone system is a further development of the successful KM 100 series. The newly developed passive capsule design is available with 8 different directional characteristics, and can be combined modularly as desired with an analog (KM A) or digital (KM D) output stage in accordance with the AES 42 standard. The new, considerably smaller microphone capsules and an extensive program of accessories permit excellent adaptation of the microphone system to a wide range of applications.  Through the use of the most up-to-date electronic components the system offers many electroacoustic and operational advantages, such as lower self-noise, a wider dynamic range and very high immunity to electromagnetic interference. The acoustics of the capsules were taken from the proven KM 100 system.  

The Neumann KM 185 A condensor microphone consists of a KK 185 capsule (hypercardioid), the KM A amplifier, the WNS 100 windscreen and the SG 21 stand mount.  The modular KM A / KM D miniature microphone system is a further development of the successful KM 100 series. The newly developed passive capsule design is available with 8 different directional characteristics, and can be combined modularly as desired with an analog (KM A) or digital (KM D) output stage in accordance with the AES 42 standard. The new, considerably smaller microphone capsules and an extensive program of accessories permit excellent adaptation of the microphone system to a wide range of applications.    

The TLM 102 is a new microphone from Neumann with an impressive sound and a very attractive price. It features a newly developed large-diaphragm capsule (cardioid) with a maximum sound pressure level of 144 dB, which permits the recording of percussion, drums, amps and other very loud sound sources. Instruments that are not especially loud also benefit from the very fast transient response of the TLM 102. However its most important applications are in the realm of vocals and speech; a slight boost above 6 kHz provides for excellent presence of the voice in the overall mix. Up to 6 kHz the frequency response is extremely linear, ensuring minimal coloration and a clearly defined bass range. The capsule has an elastic suspension for the suppression of structure-borne noise. A pop screen integrated into the grille serves to suppress plosives in vocal and speech recording.   A stand mount is included

The TLM 102 is a new microphone from Neumann with an impressive sound and a very attractive price. It features a newly developed large-diaphragm capsule (cardioid) with a maximum sound pressure level of 144 dB, which permits the recording of percussion, drums, amps and other very loud sound sources. Instruments that are not especially loud also benefit from the very fast transient response of the TLM 102. However its most important applications are in the realm of vocals and speech; a slight boost above 6 kHz provides for excellent presence of the voice in the overall mix. Up to 6 kHz the frequency response is extremely linear, ensuring minimal coloration and a clearly defined bass range. The capsule has an elastic suspension for the suppression of structure-borne noise. A pop screen integrated into the grille serves to suppress plosives in vocal and speech recording. A stand mount is included Black version  

If you want to achieve a perfect sound quality, this microphone is the ideal choice for both professionals and semi professionals. The acoustics are very well balanced and signals at the rear of the microphone are softened. These characteristics make this microphone is widely used by professional broadcasters and for commercial recordings.  

The Neumann TLM 103 is the ideal large diaphragm microphone for all professional and semi-professional applications requiring the utmost in sound quality on a limited budget.

The Neumann TLM 193 is a large diaphragm microphone with a cardioid polar pattern. With this microphone Neumann continues its long tradition, and is offering high end technology at an affordable price for musicians and the home recording studio. The microphone uses a transformerless circuit, featuring extremely low self noise and large dynamic range. The polar response is very linear over a wide incidence angle. Thus, even signals coming from the side are reproduced faithfully and without coloration. The exposed surface of the microphone capsule is at ground potential, making it immune to typical interference and contamination. The microphone is supplied with a swivel mount. The frequency response of the TLM 193 amplifier is linear down to 20 Hz. Even very low bass signals are reproduced without coloration. This implies that the microphone becomes more sensitive to subsonic frequencies, from structure borne noise or pop and wind noise. To avoid any LF interference, we recommend to use the optional EA 1 elastic suspension (picture shown with EA 1)

The Neumann U 89 is a studio microphone for universal applications. The headgrille protects a dual-diaphragm capsule. A rotary switch below the headgrille selects from five different polar patterns. Therefore the microphone can be adapted easily to large sound sources, and those that are spread wide apart, or to sound sources to be recorded at a greater distance. The amplifier accepts sound pressure levels up to 134 dB without distortion. This figure can be increased to 140 dB. An additional rotary switch activates a filter that changes the low frequency response either below 80 Hz or 160 Hz frequency. The Neumann U 89 i is similar in appearance to the Neumann U 87. It is of smaller size, and lighter weight. It features five instead of three directional characteristics and a higher maximum sound pressure level which make this microphone easier adaptable to different applications.

The Neumann TLM 50 Set is a high-end microphone for top-quality recordings, particularly in the classical realm. Excellent transmission down to the lowest frequencies. Omnidirectional characteristic, with special capsule mounting. The same way as in the legendary M 50, the capsule is mounted flush into the surface of a sphere. This unique design gives the microphone a smooth rise in frequency response and an increased directivity in the upper frequency range. There the directional characteristic is almost comparable to a pressure gradient microphone. In the lower audio spectrum it performs more as a pressure transducer with a linear response down to the lowest frequencies.   The Neumann TLM 50 microphone comes with a IC 4 mt microphone cable (with stand mount swivel), MNV 87 mt auditorium hanger, dust cover and a wooden box. EA 50 elastic suspension available as an option. (EA 50 shown on picture)  

A contemporary development of the legendary U 67. K 67 capsule, new circuit design, which closely reproduces the U 67 sound characteristics, three directional pattern, pre-attenuation and high-pass filter.

The first Neumann mic with transformerless technology, featuring 5 directional characteristics, selectable at the mic or remotely, in addition to pre-attenuation and low-cut filter switches. The excellent sound pressure handling capability makes this mic ideal for recording wind instruments, for example. The TLM 170 R was the first microphone to use the successful fet 100 technology. Along with a balanced, transformerless output stage it features extremely low self-noise and an impressive dynamic range.   

The Neumann M 149 is an universal high-end tube microphone with a unique sound and a comprehensive selection of settings, including 9 directional characteristics and a 7-level low-cut filter! The capsule is derived from that of the legendary U 47 and M 49. As its ancestors, the M 149 Tube is a superb vocalist microphone, not only because of the capsule, but also due to its modern circuitry, characterized by extremely low noise level. The specifically designed N 149 A power supply unit feeds the M 149 Tube through an 8-core cable. The output connector for the audio signal is a 3-pin XLR. The output signal is balanced. The microphone comes as a set in an attractive aluminium case, together with the 8-core microphone connecting cable, the N 149 A power supply with plug-in mains unit, the EA 170 full elastic microphone suspension and a dust cover.

The Neumann M 150 Tube is a redesigned classic with state-of-the-art circuit technology and correspondingly low self-noise. Like the legendary M 50, this tube microphone is ideal for orchestral recording. All titanium capsule with unparalleled transient accuracy. Due to mounting the pressure capsule with the diaphragm flush to the surface of a small (40 mm) sphere, the directional characteristic of the M 150 Tube is entirely unique. At the lowest frequencies, this system is a pure omnipressure transducer with a perfectly circular polar pattern. However, in the mid- and upper frequencies, the pickup pattern becomes more narrow. The M 150 Tube is an ideal microphone for any stereo, 5.1 or 7.1 surround recording, particularly DECCA Tree technique. The M 150 Tube Microphone comes delivered with a N 149 A power supply, EA 170 elastic suspension , KT 8 connecting cable and aluminium case.    

The Neumann USM 69 i mt variable pattern stereo microphone is a dual capsule stereo microphone with two K67 multi-pattern capsules and independent amplifier stages operating independently from each other. The capsules are stacked and rotated at a 270 degree angle for M/S and X/Y style stereo capturing. The directional polar patterns can be selected separately for each capsule.

The RSM 191 A-S is a professional stereo shotgun microphone system designed for crucial recording and live sound reinforcement applications. The system consists of the RSM 191 microphone and MTX 191 matrix amplifier. The revolutionary design of the RSM 191 begins with it's dual capsule system. A hypercardioid element and a figure-8 element exist in a short shotgun housing.

Short version of the classic shotgun mic, with switchable filter and pre-attenuation functions. Excellent off-axis (lateral and rear) attenuation. Free of coloration.

The Neumann KMR 82 is a long version of the classic shotgun mic, with switchable high-pass and low-pass filter. Excellent off-axis (lateral and rear) attenuation. Free of coloration. The high directivity remains independent of the frequency within the acceptance angle. The advantage is that a sound source, for example an actor on stage, will not change its apparent tonal balance when moving within this area.     

The Neumann EA 2124 mt is an elastic suspension that can be used with the Neumann KM 100 and KM 180 series microphones. In fact the EA 2124 A mt is able to accept microphones from 21 to 24 mm in diameter. It has a swivel mount with a 5/8"-27 female thread, plus a thread adapter to connect to 1/2"- and 3/8" stands.  

Elastic suspension for the Neumann TLM 103 and the M 147 microphone.

The Neumann EA 1 is an elastic suspension that can be used with the Neumann TLM 103, TLM 193, M 147 and the TLM 127 microphones

The Neumann EA 4 bk is an elastic suspension for the Neumann TLM 102 microphone.  

The Neumann EA 4 is an elastic suspension for the Neumann TLM 102 microphone.

The Neumann EA 87 mt is an elastic suspension that can be used with the Neumann U 87 Ai mt microphone. It has a swivel mount with a 5/8"-27 female thread, plus a thread adapter to connect to 1/2"- and 3/8" stands.  

The Neumann EA 89 A mt is an elastic suspension that can be used with the Neumann U 89 i mt microphone. It has a swivel mount with a 5/8"-27 female thread, plus a thread adapter to connect to 1/2"- and 3/8" stands.  

The Neumann EA 170 mt  is an elastic suspension that can be used with the Neumann TLM 170 and M 149 microphones It has a swivel mount with a 5/8"-27 female thread, plus a thread adapter to connect to 1/2"- and 3/8" stands.  

The Neumann EA 82 is an elastic suspension voor the Neumann KMR 81/82 i shotgun microphone     Picture shown with the KMR 81