The Electro-Voice RE50N/D and RE50N/D-B shock-mounted, dynamic omnidirectional microphones are offspring of the legendary RE50 microphone. Built with the same rugged design as the RE50, the RE50N/D and RE50N/D-B feature a DynaDampTM shock mount for greater ruggedness and isolation, and a new neodymium N/DYM® magnet structure to provide increased sensitivity required in exacting professional applications.

The MD 21 U can be used for both speech broadcasting (interviews, reporting, discussions, etc.) and music broadcasting (boom and room mics). Colour: black, sound inlet basket: refined steel.

The MD 42 is a high-quality reporter's microphone with omni-directional pick-up pattern. It has been specially optimised for rough use in live reporting and broadcasting environments. The MD 42 is a very 'good-natured' microphone whose design avoids wind and handling noise problems. Colour: black, sound inlet basket: refined steel, black.

The MD 46 is a high-quality reporter's microphone with cardioid pick-up pattern. It has been specially optimised for rough use in live reporting and broadcasting environments. The MD 46 is a very 'good-natured' microphone whose design avoids wind and handling noise problems. Colour: black, sound inlet basket: refined steel, black.

The AT804 is deal for interviews, sportscasting and for use as the “mono” mic in conjunction with a stereo microphone. Its omnidirectional polar pattern provides natural reproduction of surrounding ambience. The mic’s rugged housing with hardened-steel grille stands up to field use; its internal shock mounting minimizes handling and cable noise.

The M 58 has been specifically designed to satisfy the demands of Electric News Gathering (ENG) and Electronic Field Production (EFP) applications.

An idea invented to promote TV and radio stations when microphones are seen in shot in news footage. The flag consists of a low-reflection black inverted square “cup”, with a circular hole in it. It is filled with foam (similar to that used on windshields) with a hole cut through it. It slides up the shaft of the microphone.

An idea invented by Americans to promote TV and radio stations when microphones are seen in shot in news footage.